The parallel text between self-imagination and heterosexual fiction
Donquixote’s revolution – a model
Dr. sabar shaboot tlaa
Dr. Hazim Abd ALmajed Esmael
Aliaa jabar sahim
Basra University – College of Fine Arts
Abstract:
Dramatic text reproduces between the given and the imagined, between the basics of the dramatic text and the cognitive experiences of the recipient through the process of discovering the subtle details in the dramatic text, as this process is the first seed for the formation of the reader’s dramatic knowledge that leads him to realize the value features of the philosophical meanings of the text and what is deposited Consequently, in the mind of the recipient of a literary effect, his principles are complemented by his cognitive ability to establish his conceptual visions, regardless of the author’s capabilities in presenting the dramatic text and localizing its architectural pillars. Its gaps in dramatic patterns have privacy in aesthetic vision, which enables them to stand on the thresholds of texts and know their aesthetic and dramatic connections, both internal and external, that relate to the body and textual thought. From here was the basic starting point for the presence of the research idea and its starting point for the parallel texts, as they are those threshold foundations in the dramatic text between its actions and between its ideas lying in the vicinity of the dramatic texts and the interrelationships between them.
Key words: (parallel text, self-fiction, altruistic fiction).